Artist Showcase Blood & Motor Oil The talented force that is attached to this project is immense, formidable, and insanely cool. Panelist Christopher Ables has a unique and natural blend…
Cover Design The cover needs to tell the story, draw you in, and leave you wanting more. Judging a book by its cover is exactly what happens in the comic…
Blood & Motor Oil - Oculus This is the first look at the sketch for the cover of the second instalment (or chapter) of the graphic novel Blood & Motor…
Hand painted watercolour work of the main characters the Moon and the Wolf. The deep colours and attention to detail really stand out in Charlie Duncan's work down to the…
What is your dream casting for your current project? The Woman/Dorothy – Gaby Hoffmann has the look and the depth to take on this roll. With much more to the…
Dorothy (Blood & Motor Oil) - when the heavy and dark clouds rolled in, I took cover. HOF was never far away, always visible, within earshot, close. The wind rustled…
Dorothy (Blood & Motor Oil) – Her voice is an aggressive alto with crisp and enunciated tones, a lengthy and distinguished vocabulary and immense weight in her words, but she…
Dorothy - Blood & Motor Oil Dorothy's aesthetic is formal, with tones of chaos. Her clothing is inconsequential to the rest of her appearance, and in this juxtaposition creates a…
Movies, Cinema, TV, Pop culture really. I love the world of make believe and most of the things I enjoy are else worldly, over the top, outside of the norm,…
Dorothy’s favourite ornament was made of nuts and bolts and was welded together by her young son. He and his father fitted it with fibre optics and made it light…